Man Ian, your depth of knowledge is so so impressive! But aren't pretty much all TV's made after 1980 using red green and blue guns? I don't know much about this stuff...
Correct. All color TV's use red, green and blue guns. It's been that way since 1955. But the difference is the *arrangement* of the guns. Traditionally, there were delta gun CRT's - in this setup, the colored dots on the phosphor screen (and therefore the electron guns) are arranged in a little triangle. Look very closely at a 60's color TV tube, and you'll see rows and rows of these little clusters of little round dots.
Then along came Sony. They had a better way. They turned the little triangles of dots into little blocks of vertical lines. They arranged the electron gun assembly so that everything was in a horizontal line. They changed more than just that - changing the shadow mask into a mesh, cylindrical face CRT, etc - and called the finished product the Trinitron. The Trinitron had lots of advantages - not the least of which was the fact that all the guns were in a single line. This simplified the convergence greatly, and allowed the driving electronics to be simpler. By the end of the 70's, pretty much every manufacturer had their own version of an inline gun picture tube.
So, all the normal arcade monitors we know and love are in-line gun tubes. Converging one of these is a bit of a pain, but not that bad. All that's required are adjusting some little magnetic pieces on the neck of the tube. The old delta gun sets, on the other hand, require mechanical and electronic convergence. The convergence assembly contains both permanent magnets and magnetic coils. Converging one of these requires precise setup of the blue lateral magnet, the positioning of the coils, and the adjustment of nearly a dozen electronic controls. This is all necessary in order to get the guns aligned with each other, and lined up on the screen.
The electron gun assembly in an inline set is simpler, and I do believe it helped in allowing them to make 100 degree tubes in the first place. Early color tubes were actually 70 degree deflection. For the longest time, the largest color set (and pretty much the only size color set), was a 21" round tube in console cabinet. If they had made the face of the tube any bigger, the tube would have been too deep to fit through the door.
-Ian